Restoring a Family Heirloom

My great-great Aunt Susie Frazier was a fixture in Howard County, Maryland. She first lived in a house in Ellicott City and then later, she built a ranch house on family land a few miles away, in the middle of some tobacco fields which she rented to local farmers. This was apparently the main source of her income; she had never married. My memories of her were limited to the few times we visited her when she was very, very old (at least as I recall) and the ugly dresses she made for me that my mother made me wear at least once. Her house smelled like you would imagine an old lady's house would smell, she had an old pump organ that we were not allowed to touch and there was nothing to do. We endured these few visits with my mother, because apparently, my mom was one of her favorite grand-nieces (maybe her only?). Mom spent many happy memories as a child at her home when she lived 'in town'. Aunt Sue spoiled her, preferring my mother over her rambunctious little brother, Bucky. Mom has repeated the story many times over how Aunt Sue kept a chamber pot in the house for her, so she wouldn't have to go outside to use the toilet. Apparently that was a big deal, because she didn't do that for the brothers or their male cousins.

                                           
              

What made Aunt Sue particularly well-known was her skill as a seamstress. She supplemented her land-lease income by fashioning and altering clothing for local residents. She even sewed for the governor's family! I remember a quilt on my bed as a child that Aunt Sue made...I remember admiring the little tiny scraps of fabric and choosing my favorites. One scrap in particular reminded me of little cherries; it was my favorite and I made a game of trying to find it among so many others. Why I had so much time to lay under the covers and look at fabric, I'll never know, but it intrigued me. It must have caught on, because now, I LOVE fabric and have way too much of it stashed in my attic!

My mother recently gave me one of Aunt Sue's creations, a yo-yo spread, named because of the shape of the pieces, I suppose. In researching the famous toy yo-yo, it was so named in the 1920s and gained popularity thereafter, although other cultures played with a similar toy. I think this spread was made in the 1930s or 40s, so this makes sense. 

The offending repair

It needed some work. Over the years, of course little care was taken - it was tossed atop many a bed, and summarily bounced on, sent through the wash, hung out in the sun to dry, etc. The all-cotton fibers have taken a beating, and the connecting stitches have come undone in several places. There was also a hasty repair about 20 years ago, that incorporated some very bright fabric; um, it doesn't work. 

 

So, I've got it spread out on my dining room table, where I can enjoy the kaleidoscope of color and pattern while I work on it. I've had to discard a few yo-yo's that were beyond hope, absolutely threadbare. But 90 percent of it is salvageable and beautiful. I've calculated there are almost 3,000 yo-yos. It has taken me at least 15 minutes to trace, cut, needle a running stitch around the perimeter, pull the gathers in to form a smaller circle, iron it flat, and sew ONE circle/yo-yo in place! Giving Aunt Sue credit for  being an expert, and getting much faster at it than I, I figured it took her 300-450 hours to complete this project. And let me tell you, 30 minutes of sewing something very small by hand is exhausting. Although I've hit the 50 mark and wearing multi-focal contact lenses, my eyes were screaming at me for a break after a while. (I seem to remember some very thick spectacles in my memory of Aunt Sue, now that I think about it!) But I cannot imagine her working on this for more than an hour at a time. If she worked at it 9 hours a day, it would have taken her ten weeks of full time work. Certainly it filled a year of after-dinner stitching to the sounds of Fibber McGee and Molly, and The Lone Ranger on the Philco radio. Sounds kinda nice, doesn't it?

I've also been inspired to try making one of my own. It's taken some trial and error, lots of error, and I've temporarily given up while I repair the real thing, but it's been a fun project learning how to do this. I have found very thin cotton to work best. 

The general steps are as follows:

1. Create a 3" circle pattern from lightweight cardboard (like a cereal box).
2. Trace onto several layers of fabric; cut many at a time (but, I'm not trying to cut all 3,000 circles at once!).
3. Stack alike fabrics together.
4. Using a quilting needle, sew a running stitch around the perimeter of the circle, about 1/4" from the edge, with a knot in the end of the thread.
5. Without knotting or cutting the end of the thread, pull it so that it gathers the circle around a finger. Knot it off after it is gathered and pulled tightly, creating the "yo-yo."
6. Press with a hot iron, to flatten.
7. After arranging the colors and designs, sew the yo-yos together at four points, creating a 'square' of 16 (8 of each pattern). 
8. After sewing 169 squares of 16 each, stitch them together in an appealing pattern to make a bedspread that will fit a queen size bed. 

Among the hundreds of faded vintage fabrics, I have found the ugly gray dress...still searching for the elusive cherries. So many pretty fabrics. I'm really thankful I have this treasure.

The backside (see that ugly gray gingham?)